Bodyguard s1 ep 3

*SPOILERS*

We hadn’t intended to review every ep of Bodyguard but since it’s turned out to be something of a unicorn in tv terms – not only are both Jed and I watching it,  but so is most of the country – it seems daft not to throw in our tuppence-worth. I mean, I did sort-of-comment on the second episode last week but let me expand on that quickly, just for the sake of completeness: I was a bit taken aback at how quickly two really attractive people, working super-closely together, in an incredibly intense, high-pressure environment, having just barely escaped with their lives due to one of them being a (hot, damaged, and did I mention hot?) superhero, jumped into bed with each other. Then I read that sentence again.

Anyway, the car/sniper sequence was electrifying. Which means episode 2 is now neck and neck with episode 1 in the Best Way to Give CJ a Heart Attack Award stakes. (One for the end of year poll?)

With all these absolutely thrilling extended set-pieces in the first two instalments, however, it’s perhaps not entirely surprising that episode 3 takes its foot off the accelerator in terms of breathless action of that kind and concentrates mostly on breathless action of other kinds instead. By which I mean there’s a lot of sex, mostly as a means of control – the, er, “trouser” scene was a bit much for me. But at least Julia and David seem to be enjoying themselves. (Till she tries to surprise him in his sleep, that is. Bad. Plan.)

Personally, I could have done with more shooting and less snogging, but that’s no reflection on Keeley Hawes and Richard Madden (and the gratuitous shot of his butt) who make it work. It’s interesting at least – and brave, given this is traditional prime-time BBC1, not HBO – to have a woman in the unapologetically, matter-of-factly dominant, more powerful role for a change. And in fairness, although the audience (ok, I) may be slightly distracted by the sex, the show isn’t: everybody (including and especially our two leads) is manipulating everybody else, and as Julia, her aides, that fellow Mike(?), the Secret Service and the police all try and screw each other over (in less carnal fashion than Julia and David) the question isn’t whether it will end badly, it’s more whether there’s anyone at all for whom it won’t.

All this intrigue, sexual or otherwise, just isn’t quite as visceral or as gripping as episodes 1 and 2, though, so it’s just as well that, when I begin to get restless, and in need of yet another one of those heart-in-my-boots action sequences, the show obliges. It’s obvious from the moment Shifty Rob pulls out of Julia’s St Matthews appearance that he’s setting Tahir up, and that something terrible is going to happen there. And so it does. Who’s dead? I don’t know. Who’s responsible? I have no idea. But I really want to find out. This third episode may not have been as good as the previous two, but the acting and the last ten minutes mean it’s the most exciting thing on the box right now. I’m hooked.

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Bodyguard s1 ep 1

At a time when Muslim women and how some of them choose to dress are the subject of particularly vicious scrutiny and prejudice from a lot of people, politicians and press who should know better, it’s not ideal that a lady in a hijab is the potential villain in the first episode of Bodyguard. In fairness to the show and the writing however, Jed Mercurio’s Bodyguard isn’t interested in pandering to prejudice – it’s looking to find its real villains in the corridors of power, and although some people will undoubtedly come away from the show still secure in their own prejudices, they’re very much choosing to miss the point.

As are the people who seem to be complaining about the number of women in the show, period. WTF is wrong with them? Trying to answer that will get me nowhere though, so time to get off my soapbox and get reviewing: Bodyguard opens with perhaps the most nerve-shredding, terrifying twenty-five minutes I’ve seen on TV since Game of Thrones. I don’t want to spoil too much of the train sequence but it is magnificently executed and almost unbearably tense, and I may have come close to having some sort of cardiac event during it. My GOD.

If every other second of the ep were terrible, it would still have been worth it to see that twenty-five minutes, but the rest of Bodyguard is also excellent, with a different kind of tension and unease pulsing throughout. Richard Madden is brilliant cop and army veteran David Budd, scarred by his experiences in Afghanistan, suffering PTSD, and just about managing to suppress those feelings in order to protect hawkish Home Secretary Julia Montague (Keeley Hawes). For now. It’s a career-making performance from Madden: even in the middle of acts of extreme heroism, his Budd is never less than visibly, desperately human, with compassion, determination and gut-wrenching fear all playing out across his face at once. Hawes’s Julia is much more closed-off, however, as befits her character, and it’s never entirely clear which way their relationship is going to go. There are some lovely moments between them – the apology, the shirt moment (you’ll know it when you see it), the summary dispatch of the Chief Whip – but there’s also the abiding, unshakeable feeling that David is about to go very wrong, very soon. I hope he doesn’t – one ep in, and I already really, really care about this character – but either way, this is a superb start to the series and an excellent way to kick off the BBC’s autumn drama season. I’m not planning to review every ep but I’ll maybe do a round-up at the end and we can see if the rest of Bodyguard lived up to its terrific first ep.

Public Service Announcement 31 of 2018: Bodyguard, The Bodyguard

BBC1’s big new Sunday night drama Bodyguard, with Keeley Hawes and Richard “Robb Stark” Madden, comes with some high expectations. Writer Jed Mercurio’s impressive body of controversial, big-ticket work includes not only recent mega-hit Line of Duty but also Cardiac Arrest, Bodies, and, er, Strike Back season 1 (I was surprised too), so his latest take on the political action thriller should be interesting, at the very least, and ideally more complex and nuanced in its politics than your standard shoot’em up fare. One very clear thread running through Mercurio’s work (even those four episodes of Strike Back, if you squint a bit) is his determination not to idealise authority or the establishment – he’s always trying to look behind the façade to the murkiness beneath – and this tale of a police officer assigned to protect an ambitious politician from the very types of danger it suits her agenda to magnify looks like it might well be in the same mould. So if it somehow turns out to be a right-wing reactionary fantasy instead, I’ll be somewhat annoyed, but there’s only one way to find out. First episode is 9pm tonight (Sunday) and I’ll review as soon as I can.

Those looking for a bit more of a nostalgic take on the theme meanwhile, might want to switch to Channel Five tonight at 10pm, ie just when ep 1 of Bodyguard finishes, since, in a frankly genius move, they’re showing the Whitney Houston/ Kevin Costner classic – don’t even bother arguing with me on this – The Bodyguard. What a night for fans of the bodyguard/ hate-to-love romance genres! (Yes, I mean me.) Sadly, it finishes after midnight and I have to get up annoyingly early for work in the morning so I’ll have to give it a miss, but since I haven’t seen it since I was about 15 and I’ve become significantly more cynical since then, it might be just as well. This way it can remain pristine and beloved in my memory instead. All together now, “If I should stay, I would only be in your way…..”