At a time when Muslim women and how some of them choose to dress are the subject of particularly vicious scrutiny and prejudice from a lot of people, politicians and press who should know better, it’s not ideal that a lady in a hijab is the potential villain in the first episode of Bodyguard. In fairness to the show and the writing however, Jed Mercurio’s Bodyguard isn’t interested in pandering to prejudice – it’s looking to find its real villains in the corridors of power, and although some people will undoubtedly come away from the show still secure in their own prejudices, they’re very much choosing to miss the point.
As are the people who seem to be complaining about the number of women in the show, period. WTF is wrong with them? Trying to answer that will get me nowhere though, so time to get off my soapbox and get reviewing: Bodyguard opens with perhaps the most nerve-shredding, terrifying twenty-five minutes I’ve seen on TV since Game of Thrones. I don’t want to spoil too much of the train sequence but it is magnificently executed and almost unbearably tense, and I may have come close to having some sort of cardiac event during it. My GOD.
If every other second of the ep were terrible, it would still have been worth it to see that twenty-five minutes, but the rest of Bodyguard is also excellent, with a different kind of tension and unease pulsing throughout. Richard Madden is brilliant cop and army veteran David Budd, scarred by his experiences in Afghanistan, suffering PTSD, and just about managing to suppress those feelings in order to protect hawkish Home Secretary Julia Montague (Keeley Hawes). For now. It’s a career-making performance from Madden: even in the middle of acts of extreme heroism, his Budd is never less than visibly, desperately human, with compassion, determination and gut-wrenching fear all playing out across his face at once. Hawes’s Julia is much more closed-off, however, as befits her character, and it’s never entirely clear which way their relationship is going to go. There are some lovely moments between them – the apology, the shirt moment (you’ll know it when you see it), the summary dispatch of the Chief Whip – but there’s also the abiding, unshakeable feeling that David is about to go very wrong, very soon. I hope he doesn’t – one ep in, and I already really, really care about this character – but either way, this is a superb start to the series and an excellent way to kick off the BBC’s autumn drama season. I’m not planning to review every ep but I’ll maybe do a round-up at the end and we can see if the rest of Bodyguard lived up to its terrific first ep.