Public Service Announcement 9 of 2018: Homeland

The argument against season 7 of Homeland (and seasons 2-6 as well), generally from people who don’t watch it any more, runs as follows: it should have finished after one season with the death of Brody, which would have left it standing as a unique, brilliant, and imaginative one-off drama. It’s never been as good since. It’s all about the money now.

And the argument in favour: well, it’s difficult to quibble with much of that. But we are where we are; successful TV shows are always all about the money, and they generally don’t stop while they’re still making bank; we should instead discuss whether it’s any good, rather than worrying about whether it should exist at all.

On balance I’m in the latter camp. Homeland, it’s true, has never quite hit the heights of its first season, and is unlikely to ever again. Evaluated on its own terms, though, for what it is, rather than what it isn’t: it’s not bad at all. Inconsistent for sure; but capable of being an intelligent and well-made drama, which in recent seasons has shown a welcome willingness to grapple with hot-button topics – for example, terrorism in Europe in season 5, and an alt-right fake news factory in season 6. On the other hand, the treatment of Quinn last time around was frankly bizarre: why bring him back from almost certain death just to make him suffer, then kill him anyway? (And getting rid of Astrid as well was a grievous error, assuming that the actor didn’t want out.)

This time round, at least to start with, Carrie will be dealing with the consequences of the events of the last season, in which President Keane somewhat brutally cleaned house and restricted civil liberties. Although given that she’d barely survived a right-wing coup attempt led by Dar Adal, one can see why she might have wanted to tighten her grip a little. Looking forward to this. Weekly reviews as ever (tonight, Channel 4, 9pm).



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